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Brave Blixxies is a 10,000-piece Ethereum NFT collection telling the origin story of a civilisation leaving their home in search of a new world.
Aboard the Blixxi Voyager-01, factions of Settlers, Builders, Battlers and Elders journey across deep space toward an undiscovered planet. Each Blixxi is a unique ERC-721 NFT forming part of the expanding Blixxiverse narrative.
The project combines long-term world-building with structured lore releases, a dedicated website, and the BlixxiDex digital encyclopedia.
Public Mint: 21 March 2026 – 14:00 GMT
Supply: 10,000
Royalties: 4%
Before avatars. Before chains. Before pixels — there were Eggs.
HatchPunks is a pixel-perfect NFT collection of axolotl entities born from cracked eggs on the blockchain. Each piece is handcrafted in strict 24×24 pixel art style, featuring unique emotions, shells, gills, and moods.
You don’t own a HatchPunk. You hatch one
Created in 2023 and released on Ethereum, "The Grid” is a 1/1 thematic collection consisting of 16 artworks, each constructed on a fixed 16-unit grid. Intersecting blocks of varying depth, combined with dramatic gradients, light reflections, and controlled shadows, form compositions that articulate fragments of my past, intimate thoughts and personal reflections shaped through defined structure. The collection adopts a minimal visual language that leaves space for interpretation. Rather than prescribing meaning, each work functions as a framework through which the viewer can project their own experiences. “The Grid” is the key inspiration behind this new procedural project.
There’s a new player on the block — and he’s loud. Supawcool’s first character drop unleashes Mr. Sheeb, built for the alter ego you’ve been holding back. Razor-sharp style. Unchecked rizz. Pure digital energy. Whatever you’re hiding, Sheeb brings it out. Each piece is crafted from 300+ traits and bold color combinations, forging 10,000 one-of-a-kind personalities. No repeats. Find your match.
"Like much of my work, "Long Way Home" began on location, working from reference material gathered at a ranch out West. The cowboys in this piece were photographed in northwestern Colorado, where the landscape opens into high desert and the scale of the land feels expansive. My first trip to Sombrero Ranches began with a drive from Denver through the Rocky Mountains. That journey left a lasting impression. The vastness, the light, and the sense of moving slowly through something larger than yourself stayed with me. That experience became a quiet undercurrent in this painting. "Long Way Home" also marks my first exploration of the silhouette. Silhouette has long been a traditional language in Western art, a way of reducing the figure to its essential presence against the land. In embracing that approach for the first time, this piece pays homage to the history of Western art while continuing my own evolving visual vocabulary.” Jeremy Booth
We are living in on-demand, right to your door, instant gratification, as quick as you can blink society. Seems great. In many ways it is. But you know what they say, nothing is free and if it is, you might just be the product. I created this series to start the conversation about what it is we are getting (and giving away) in trade for the technology we have become dependent upon. I have the hope that tech will be used for good, but it is always smart to question what is happening, do your own research, and align with what you believe in. This release with Open Sea is a curated collection of 1/1/250 moments from the Tech Epochalypse - Decentral Eyes series by Coldie. Still frames captures of the kinetic 3D digital portrait parent collection, featuring five technology overlords; Elon Musk, Mark Zuckerberg, Sam Altman, Jeff Bezos, and Jensen Huang.
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