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$YAKK is leveling up| Sharper lore, darker edges, brighter neon, heavier crowns.
If Genesis built the cult… Gen 2 arms it.
Mint end of February.
Mint still 0.05 WL | 0.1 Public, same as genesis.
Get in now, the cult is about to evolve.
GET YAKKED.
#YAKK #GenII
Created in 2023 and released on Ethereum, "The Grid” is a 1/1 thematic collection consisting of 16 artworks, each constructed on a fixed 16-unit grid. Intersecting blocks of varying depth, combined with dramatic gradients, light reflections, and controlled shadows, form compositions that articulate fragments of my past, intimate thoughts and personal reflections shaped through defined structure. The collection adopts a minimal visual language that leaves space for interpretation. Rather than prescribing meaning, each work functions as a framework through which the viewer can project their own experiences. “The Grid” is the key inspiration behind this new procedural project.
There’s a new player on the block — and he’s loud. Supawcool’s first character drop unleashes Mr. Sheeb, built for the alter ego you’ve been holding back. Razor-sharp style. Unchecked rizz. Pure digital energy. Whatever you’re hiding, Sheeb brings it out. Each piece is crafted from 300+ traits and bold color combinations, forging 10,000 one-of-a-kind personalities. No repeats. Find your match.
"Like much of my work, "Long Way Home" began on location, working from reference material gathered at a ranch out West. The cowboys in this piece were photographed in northwestern Colorado, where the landscape opens into high desert and the scale of the land feels expansive. My first trip to Sombrero Ranches began with a drive from Denver through the Rocky Mountains. That journey left a lasting impression. The vastness, the light, and the sense of moving slowly through something larger than yourself stayed with me. That experience became a quiet undercurrent in this painting. "Long Way Home" also marks my first exploration of the silhouette. Silhouette has long been a traditional language in Western art, a way of reducing the figure to its essential presence against the land. In embracing that approach for the first time, this piece pays homage to the history of Western art while continuing my own evolving visual vocabulary.” Jeremy Booth
We are living in on-demand, right to your door, instant gratification, as quick as you can blink society. Seems great. In many ways it is. But you know what they say, nothing is free and if it is, you might just be the product. I created this series to start the conversation about what it is we are getting (and giving away) in trade for the technology we have become dependent upon. I have the hope that tech will be used for good, but it is always smart to question what is happening, do your own research, and align with what you believe in. This release with Open Sea is a curated collection of 1/1/250 moments from the Tech Epochalypse - Decentral Eyes series by Coldie. Still frames captures of the kinetic 3D digital portrait parent collection, featuring five technology overlords; Elon Musk, Mark Zuckerberg, Sam Altman, Jeff Bezos, and Jensen Huang.
Pretend Friends is a homage to all of the imaginary characters we created in childhood. It celebrates all of our dreams, hopes, and ideas. It's a visualization of all the conversations we have with ourselves as we grow older. The collection is comprised of 200 Pretend Friends, each composed digitally by the artist, Amber Vittoria.
There are no additional utilities attached to these artworks; their purpose lies in their ability to evoke and resonate. No rarity traits have been assigned to these 'Pretend Friends' ensuring every emotion is equally celebrated. These artworks are copyright to Amber Vittoria; the purchase of this NFT is a purchase of the asset, not of the copyright.
Just walk. Big steps. Loud steps. Proud steps.
You wake up? Walk. You feel tired? Walk harder. You don’t know where you’re going? Perfect. Walking doesn’t care.
Life tries to stop you. Walking says no. So walk. And then walk again.
The Concept In an age of "digital noise," RE:VIVE rescues the foundations of civilization from museum silence. We bridge 2,000 years of history with the year 2026, returning legendary figures to a living, modern visual context.
The Aesthetic: Classical x Cyberpunk Our "Archive" collides high-culture marble with "low-life" urban textures. By wrapping artifacts in industrial resins and neon drips, we create a language of "Digital Permanence". It is an act of immortality - visualizing internal struggle and beauty through futuristic pigments and synthetic shells.
The Manifesto History is a living energy, not frozen stone. We use the blockchain as our "eternal material," minting these spirits forever to protect them from the erosion of time.
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